
With movies like The High Note that tell familiar stories, it’s all about how things are presented. Details matter. Performances are key and the “little things” that give the narrative a unique flavor are to be savored. In imparting the ...

When I see a romantic comedy, I’m not expecting Ozu or Bergman or Truffaut or Scorsese. All I want – and I think it’s a perfectly reasonable desire considering the genre – is to fall in love with the characters as they fall in love wit...

Unfinished Business is bad - not epically bad but bad enough. Little contained in this misfire of a film works and the few successful things are dragged out to the point where they die a lingering death. In fact, it's odd that this movie was acco...

Two weeks ago, I wrote that, while watching Land of the Lost, I felt a sense of depression. That feeling revisited me during Year One, an inexplicably unfunny comedy made by two people who have proven they can do much better: director/co-writer Ha...
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